A Confederacy of Dunces by John Kennedy Toole

 A Confederacy of Dunces by John Kennedy Toole is funny, wise, and as close to a perfect novel as you’re likely to find.

Protagonist Ignatius C. Reilly is a bloated buffoon, a man-baby who lives with his mother, has a troubled digestive valve that causes him to burp and fart with great frequency, and possesses one of the most “unique” worldviews you’re likely to find.

Ignatius is loaf completely at ease with his loafishness:

“I dust a bit,” Ignatius told the policeman. “In addition, I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.”

Ignatius is like a giant child when he considers his career options and argues with his mother:

I suspect that something like a newspaper route would be rather agreeable.

“I dare you to come out in that shredded nightgown and get me!” Ignatius answered defiantly and stuck out his massive pink tongue.

Above all, A Confederacy of Dunces is funny. Laugh out loud is an overused phrase, but COD will make you LOL for realz, yo. The situations are so absurd, the characters so odd, and the dialogue veers between biting satire punctuated by unexpected blasts of pee-your-pants profanity.

“Go dangle your withered parts over the toilet!” Ignatius screamed savagely. Miss Trixie shuffled away.

No mater what the problem, Ignatius always finds a way to blame others.

“Employers sense in me a denial of their values.” He rolled over onto his back. “They fear me. I suspect that they can see that I am forced to function in a century which I loathe.

You must realize the fear and hatred which my weltanschauung instills in people.

He twisted his face into a mask of suffering. There was no use fighting Fortuna until the cycle was over. “You realize, of course, that this is all your fault. 

“You’re full of bullshit.”

“I? The incident is sociologically valid. The blame rests upon our society.”

Sometimes COD goes for screwball comedy and slapstick. Taken as a whole, COD is the mother of all farces.

When he’s not avoiding work or fighting with his mother, Ignatius plots against Myrna, a radical student he once attended classes with. The romantic ending of COD is anticipated but still manages to be unexpectedly satisfying.

Dr. Talc idly wondered if they (Iggy and Myrna) had married each other. Each certainly deserved the other.

Through Myrna’s letters we see she has true insight into Ignatius’ personality:

This “automobile accident” is a new crutch to help you make excuses for your meaningless, impotent existence.

A good, explosive orgasm would cleanse your being and bring you out of the shadows.

Great Oedipus bonds are encircling your brain and destroying you

Ignatius, a very bad crack-up is on the way. You must do something. Even volunteer work at a hospital would snap you out of your apathy,

The valve closes because it thinks it is living in a dead organism. Open your heart, Ignatius, and you will open your valve.

 

Behind his absurdity, Ignatius is sad and lonely, a sorrow that stems from his isolationism:

We both exist outside the inner realm of American society. Myrna was, you see, terribly engaged in her society; I, on the other hand, older and wiser, was terribly dis-engaged.

I really have had little to do with them, for I mingle with my peers or no one, and since I have no peers, I mingle with no one.

I don’t dance. I never dance. I have never danced in my life.

COD is also a love letter to Toole’s native New Orleans:

Patrolman Mancuso inhaled the moldy scent of the oaks and thought, in a romantic aside, that St. Charles Avenue must be the loveliest place in the world.

New Orleans is, on the other hand, a comfortable metropolis which has a certain apathy and stagnation which I find inoffensive. At least its climate is mild.

The balconies of the old buildings hung over my head like dark branches in an allegorical forest of evil.

I won’t get into the tragic personal history of author John Kenndy Toole. The story behind his career and the publication of COD is itself an impossible tale of heartbreaking genius. But the toxic mother-son relationship at the heart of this novel certainly is rife with autobiographical elements.

Ms. Reilly laments Ignatius’ weak work ethic.

“My heart’s broke.”

“Ain’t he writing something?”

“Some foolishness nobody never gonna feel like reading.”

Fortunately, the real-life Thelma Toole felt differently about her son’s work.

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