Sixty-Five Stirrup Iron Road
This is a good book written for a great cause; to help fund the medical bills of writer Tom Piccirilli. Pic’s colleagues in hardcore horror decided to pitch-in on a round robin novel to help support their friend. For that reason alone the book is worth buying.
Sixty-Five Stirrup Iron Road is written by, and in collaboration with, Brian Keene, Jack Ketchum, Edward Lee, J.F. Gonzalez, Bryan Smith, Wrath James White, Nate Southard, Ryan Harding, and Shane McKenzie. All gentlemen are heavy hitters in the world of gore-and-sex horror stories, and they all bring the Grand Guignol goods here.
Things start out fine, with a sex-demon prologue preceding new residents Chuck and Arrianne moving into the titular house, the scene of creepy and kinky crimes. Of course, nothing ever dies (when it should) in horror (or elsewhere), which is bad news for Chuck and Arrianne.
Each chapter of Sixty-Five Stirrup Iron Road is written by a different author or combination of authors. Through a series of violent and sexual scenes, a story of erotic obsession and possession emerges.
But by the third act everything derails. The authors get caught up in a gross-out contest rather than plot or character development, and a sharp detour into meta-fiction near the novel’s end feels like a convenient way to wrap things up rather a serious literary effort.
The funniest lines are delivered by Nate Southard (as himself), who laments the state of the horror genre while acknowledging the novel’s gratuitous nature.
“I can’t believe I wrote that dog bowl shit. You think Laird Barron would do that? Or Lee Thomas? Or Sarah?”
“Which Sarah? Langan or Pinborough?” asks equally-guilty author J.F. Gonzalez.
“Either,” Southard says, but quickly reconsiders. “Okay, well maybe Pinborough would, but you get my point.”
Sixty-Five Stirrup Iron Road ends up poking fun at horror in general and splatterpunk in particular. The authors clearly have fun with the material even as the story falls to pieces around them. But that’s not important; pick this one up to help out Tom Piccirilli.
Then do both yourself and Tom Piccirilli a favor, and buy as many Tom Piccirilli books as you can find. My favorites are Pic’s noir-flavored The Midnight Road and November Mourns, along with supernatural mystery, The Night Class. Piccirilli is a master of the written word leaving deep footprints on the landscape of mystery, suspense, and terror, and deep impressions on readers touched by his work.
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