There is something beautiful and poetic about  the splatterpunk redneck fiction on display in Edward Lee‘s novella Header (1995) and the long-form novel Creekers (1994). Lee’s redneck horror pays homage to Richard Laymon‘s novels of backwoods terror as well as James Dickey‘s classic, Deliverance. Lee’s work is violent and nasty, but his pacing and dialogue are […]