The Girl on the Glider introduces us to one of Brian Keene’s most interesting and complex characters—himself.
Keene’s foray into metafiction is a successful one. The Girl on the Glider chronicles Keene’s personal ghost story, as well as his private struggles as a husband, a father, and a cult horror writer with a big fan base but modest bank account.
Keene tips his hat to the authors that have walked this literary road before him; Hunter S. Thompson, Tim Powers, and Stephen King. The Girl On The Glider also shares a thematic bond with Whitley Strieber’s “all-true tales.” Is it easier or more difficult to suspend your disbelief when the storyteller is a known spinner of fantastic tales? Does even matter, so long as the writing is good?
Keene’s ghostly encounter leaves him a changed man — a better man.
The Girl on the Glider has the power to affect readers the same way.
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